#1. The Great Silence (1968)
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Explore the dark, snow-covered, and politically charged Italian Westerns of Sergio Corbucci, including Django, The Great Silence, and Navajo Joe.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a Klan of Southern racists and a band of Mexican Revolutionaries.
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.
A Southern Colonel, his three sons, and a card shark embark on an odyssey through the Southwest carrying a coffin full of stolen money with which the Colonel plans to revive the Confederacy.
On his way back from the Civil War, Johnny Hamilton is visited in his sleep by the ghost of his father who lets him know that he has been murdered and who asks him to avenge him. Back in the family ranch, Johnny finds that not only has his father been killed but that Gertrude, his mother, has married her late husband's brother Claude. The latter is now the owner of the ranch and of all the properties of the deceased. Polonius, a ruthless bandit, is supposed to have killed Johnny's father. But couldn't it be Claude...?
Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf agrees to free Xantos, accompanied by reluctant guerilla Basco, but a former business partner of Yolaf's- John 'The Wooden Hand', has other ideas.
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
Wrongfully imprisoned for a crime he didn't commit, Minnesota Clay seeks revenge on the man who withheld evidence at his trial. There is a problem however, he is going blind.
After a search for his father's killers, Wes Evans returns home only to find himself involved in a bloody land dispute.
The White, the Yellow, and the Black (Italian: Il bianco, il giallo, il nero, also known as Shoot First… Ask Questions Later) is a 1975 Spaghetti Western comedy film. It is the last spaghetti western directed by Sergio Corbucci. Differently from his previous western films, this is openly parodic.
As thoroughly unlikeable a robber as ever walked the West, Joe nonetheless robs from the rich and gives to the poor. Not only is he a murderous, ill-tempered sort, he is bad-mannered, too. When beautiful Sonny decides he should be her man and teach her how to be a proper outlaw, sparks fly.
Hud Dixon returns to his hometown when his brother is killed by a lynch mob.
In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.
Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts off his habit and digs up his machine gun to practice a little liberation theology.
A Mexican bandit teams up with a band of renegade Native Americans to avenge his older brothers when they are killed by a prankster, gold-obsessed bounty hunter.
A bank clerk and his cousin, a "general", join forces to track down a Mexican outlaw.